Gullak touches upon weighty issues, including financial difficulties and the fear of unemployment, but glides over them, as if to argue that pain and pleasure are a part of existence and add to the wealth of experience in the piggy bank of life. More than anything, Gullak is an ode to the average Indian mother – someone who uses anger as a strategic tool and words as her weapon, but does most of the heavylifting in keeping the family unit together. The humour isn’t laugh-out-loud but consistently and gently pleasing, much of it stemming from the clever writing, especially the metaphor-filled repartee between parent and son or husband and wife. The charm that comes from watching the ordinary is complemented by pitch-perfect performances, especially by Kulkarni, Khan and Mayar. The moments of harmony too come from the small things – buying ice cream as a treat after dinner, or a prize of Rs 40 given by father to the sons in a moment of generosity. Instead, the Mishras grapple with noisy washing machines, scraps between siblings, complaints over the dinner menu, snide remarks from neighbours and an alarm that goes off too early on a Sunday. There are no high stakes, no drama and no life-changing events. This could be any middle-class Indian family anywhere, the show suggests, and it proves the point by finding its humour and narrative thrust in the everyday. The Mishras rarely speak to each other with kindness or in low volumes, but their love shines through the daily squabbles and acerbic remarks.

The four walls double up as a metaphor for the family – full of cracks, in need of repair, but with a strong foundation. The first episode is centred on a debate on whether the house needs renovation. The schoolgoing Aman (Harsh Mayar) alternates between being his brother’s partner-in-crime and arch-enemy. The older son, Annu (Vaibhav Raj Gupta), is 22 and unemployed, hoping to crack his Staff Selection Commission exams. Facilities at 'Geetanjali Spa Centre' includes treatments from authentic Ayurvedic Therapies to international massages, Watsu Water Therapy, Yoga, Female to Male Massage. Her husband Santosh (Jameel Khan) is an unassuming and eternally unruffled employee at the local electricity division. Geetanjali Spa Center for Health and fitness is an urban haven in the center of Delhi NCR that combines and curates wellness, culinary, social and way of life experiences. There’s the mother Shanti (Geetanjali Kulkarni), who rarely speaks without yelling and has an unparalleled knack for sarcasm. True to its word, the series unfolds through disparate events in the life of the Mishras. While this framework has lent itself to several film and web dramas, it’s not guns or gangs in Gullak but gentle humour that is on offer.Įarly on in the show, the eponymous narrator, an earthen piggy bank, explains that Gullak is not a story but a series of anecdotes.

Watch: Parrot steals camera and flies away, recording stunning visuals during flightĪ certain unhurriedness marks Gullak, The Viral Fever’s latest web series that was recently released on the SonyLIV streaming platform.ĭirected by Amrit Raj Gupta and written by Nikhil Vijay Motghare, the show is centred on a bickering family in a small town in North India.

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Watch: Female student in hijab heckled by mob in saffron shawls at PES College in Mandya, Karnataka.‘I was made to realise I am a Muslim’: A student shares her account of the Udupi college hijab ban.The current status of the PHABEE filing isĪbandoned - Office Action Response Not Filed or Filed Late. The legal correspondent for PHABEE trademark is The PHABEE mark is filed in the category of Trademark Serial Number is a unique ID to identify the PHABEE mark in USPTO. The PHABEE trademark was assigned a Serial Number # 85954183 – by the United States Patent and Trademark Office (USPTO). PHABEE - Trademark Information By Patil Geetanjali

Geetanjali serial